Twilight Riding in Mexico City
by Will StrawSongs of Solitude
by Aaron HamesFlash Ethnography: Dusk
by Aaron Hames and Derek PardueIntroducing: Yours Sincerely, An Uncertain Anthropologist
Alexandra Dantzer and Paige EdmistonCultures of Diversity & Inclusion: Anthropological Disruptions
Aaron SuYours Sincerely, Concerned about Citation and Syllabi
Carole McGranahan, Jacqueline Solway, and Angela JenksMy Museum of Antique Technology
Janelle S. TaylorBody on Canvas, Body as Canvas: About Media Mirrors, Plastic Mirages, and Intimate Reflections
Chiara PussettiTo Be Black, Female, and Conscious: Reflections on Fieldwork in Pre-Impeachment Brazil
Meryleen MenaBetween Notes and Diaries: Ethnographic Notes, Coevalness, and Positionality
Kamal KariemFrom Anxiety to Method: Recollections of fieldwork and note-taking in a Kuranko Village (Sierra Leone)
Michael JacksonBeing Noted
Daena Aki FunahashiWriter’s Block
Amelia Frank-VitaleMessy but Nurturing: Strategies for Engaging Fieldnotes
Laís Gomes DuarteMobilizing words and cultivating change: Taking notes during the pandemic strikes in Colombia
Miryam NacimentoMapping a Precarious Fieldwork: Fieldnotes as Reflexive Companion
Geoffroy CarpierTaking Note: Introduction
Magdalena Zegarra Chiappori and Verónica SousaYours Sincerely, Concerned About Consent
Nicole Constable and Jen ShannonRecognizing Authority and Respecting Expertise in Language Work
Mark TurinWhat Does Anonymity Mean in Anthropological Filmmaking?
Carlo A. CuberoNames are Problems: For Congolese Refugees, for the Humanitarian System, and for Anthropological Writing
Marnie Jane ThomsonBetween Organizational Narratives and Individual Stories: Pseudonyms Revisited
Miia Halme-TuomisaariPseudonyms as Anti-Citation
Erica WeissCollapsing Distance: Recognition, Relation, and the Power of Naming in Ethnographic Research
Sara Shneiderman