An Aesthetics for the End

Listening, Response-Ability, and the Disappearance of Mexico’s Last Glacier

by Amanda Macedo Macedo

In Río de Niebla, Río de Adobe, Río de Sangre (2023–2024), an exhibition by Tania Ximena (Mexico, 1986), the artist invites viewers to inhabit a shifting territory, moving from [...]

Beyond Feminine Endings, A Masochistic Listening Practice

by Hannah Waterman, Stony Brook University

The crown jewel of the musical canon, Beethoven’s Ninth (with its spectacular “Ode to Joy” finale) is so apparently overburdened with meaning that Slavoj Žižek (2007) describes it as [...]

The Indifferent Astrologer and the Worrying Aunt in the Face of a Rumored Earthquake

by Kam Tou Pang

The anthropological scholarship on rumors tends to focus on their role as emergent and propulsive in times of political and social disturbance, with the potential to be instrumentalized to [...]

Depicting the Uncanny: The Ecological Landscapes of Taiwanese artist Zheng Chong-xiao

by Elisa Di Piero

Zheng Chong-xiao 鄭崇孝 is a Taiwanese painter born in Taipei in 1988 whose artistic practice includes the use of the imagery of traditional Chinese landscape painting (or shanshuihua 山水畫) [...]

Exploring Narratological Tools at the Boundary of Anthropology and Literature in Impasse of the Angels and The Hour of the Star

by Yash Chitrakar

Stefania Pandolfo’s Impasse of the Angels: Scenes from Moroccan Space of Memory (1997) and Clarice Lispector’s The Hour of the Star (1977) are strikingly similar texts coming from different [...]

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